THE CUTTING BALL THEATER NEWSLETTER
The Girl Triptych by Janet Allard Oct. 14 and 15 Alien Motel 29 by Robert Alexander Oct. 21 and 22 the evolutionist’s club by Kevin Oakes Oct. 28 and 29 The Story: The Festival:
All staged readings are FREE and are followed by a talk-back with director and actors. Make reservations at www.cuttingball.com. -Rob Melrose
On and around October 20, 2005, over 85 theatres across the Bay Area will offer thousands of tickets to the public for FREE as part of “Free Night of Theater!” The Cutting Ball is proud to present a preview performance of Robert Alexander’s Alien Motel 29 as part of Theatre Bay Area and Theater Communications Group’s national event. Please visit www.theatrebayarea.org for more information
Interviewed by Paige Rogers When is the first time you ever wrote a play and what was it about? As a student at Oberlin College I majored in English and minored in African American Studies and Creative Writing. Avery Brooks ran an experimental theater troop on campus and went to see most everything they did. I decided to write a play and it was called The Battle of Boogaloo. Strangely enough, it was very similar to Alien Motel in a couple of respects. First, it was set on an imaginary planet and it had a post apocalyptic setting. The survivors were fighting over a can opener. I showed it to some theater major friends of mine and they thought it was too strange to take seriously. There was a character named he said/she said in that play and that character came back in Alien Motel as well. Alien Motel will be given a reading by The Cutting Ball in October. What is your favorite part of this play, the part that makes you smile when you think about it? Lisa Body first enters the bar and everyone is kind of tripping on her. I love that part. She’s a weary road warrior and she’s just very tired. All she wants to do is sit down and have a drink but the people in the bar can’t leave her alone. I love that the audience can’t help but to feel the weight of everything on her shoulders, that they feel what she’s been running from and how exhausted she is. I also love Lisa Body’s riff/speech at end of first scene. It’s part jazz and part rap. Lisa Body is a character who showed up in a short story written circa 1990. She was also in a play of mine that was produced at Trinity Rep in 2003. What play is brewing around in your mind right now? Can you describe the skeleton of what it's about? I’m wrestling with ideas about a man similar to myself trying to reconnect with his daughter. There are certainly elements of a missing father in Alien Motel. But, I’m trying not to make it autobiographical. I’ve written fiction about father/daughter relationships. I have a grown son who is now a father and I might want to write something that reflects what it’s like to be a grandparent but again, I don’t want to make it autobiographical. I’m waiting for something to burst out of me. Right now, I’m just taking things in, experiences and perceptions. When something is ready, it will burst out and the sponge will wring itself out.
We will be hosting auditions in October for The Maids by Jean Genet and The Death of the Last Black Man in the Whole Entire World by Suzan-Lori Parks. Please visit www.cuttingball.com/audition.php for more information.
The Cutting Ball Theater relies on donations from individuals to continue producing the high-quality, energetic work on which we pride ourselves. Like most performing arts organizations, the majority of donated funds come from individual theater-lovers, not government agencies or corporate foundations. To make a tax-deductible donation, please visit: http://cuttingball.com/donate.php. We are also seeking the following in-kind donations:
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